Årstidernes Vekslen / Changing Seasons, 2023
Hand-woven textile installation for the exhibition "KÆDE" at The Johannes Larsen Museum
100 % French linen
Dimensions: 1400 x 350 cm
Photo Dorte Krogh
Stejlepladsen / Drying Ground, 2023
Hand-woven textile installation for the exhibition KÆDE at The Johannes Larsen Museum
Mounted on pine wood made by cabinetmaker Christian Street
100 % French linen
Dimensions: 300 x 200 cm
Photo Dorte Krogh
Jøvet, 2023
A site specific area at Fyns Hoved, Denmark where stones of many different sizes and formations lie along the coast
Hand-woven textile installation for the exhibition KÆDE at the Johannes Larsen Museum
100 % French linen
Stuffing used down duvets from Red Cross charity shop
Dimensions: 250 x 250 X 10-90 cm
Photo Dorte Krogh
Fuga, 2023
Hand-woven textile installation for the exhibition "KÆDE" at The Johannes Larsen Museum
100 % French linen
Dimensions: 300 x 160 cm
Photo Dorte Krogh
Tokyo Warps, 2018
Textile installation for the exhibtion Karin Carlander at Spiral / Wacoal Art Center, Tokyo, Japan
100% French linen
Dimensions: 300 x 150 cm
Photo Ole Akhøj
Warp, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Is black hopeless? Doesn't every dark thundercloud have a silver lining? In black lies the possibility of hope.' Derek Jarman
100 % French linen
Dimensions: 280 x 150 cm
Photo Dorte Krogh
Cube, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Red protects itself. No colour is as territorial. It stakes a claim, is on the alert against the spectrum.' Derek Jarman
100 % French linen
Dimensions: 90 x 90 x 90 cm
Ceramic installation by Lea Mi Engholm
Photo Dorte Krogh
Sashiko, Zigzag and Yinyang, 2017
Textile installation for the exhibition CHROMA at Kerteminde Art Association
'Blue light. A spectral light. Leni's full moon falling through a crystal grotto in the High Dolomites. The villagers draw their curtains against this blue. Blue brings night with it. Once in a blue moon ...' Derek Jarman
100% French linen
Dimensions 120 x 100 cm
Ceramic installation by Lea Mi Engholm
Photo Dorte Krogh
Linsey Woolsey, 2011
Handwoven rugs with reference to Danish farmers everyday textiles.
Exhibited at “I tråd med tiden – Væv 2011” at Museum for Modern Art, Hobro
Norwegian spelsau wool. The brown colour is the sheep’s own natural colour.
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
The rug measures 120 x 110 cm and 100 x 420 cm
Photo Ole Akhøj
Graphic, 2010
Hand-woven rug collection. Ordering Task for Dan-Broker, Seasafe Ship Consult A/S in 2010
Norwegian spelsau wool
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
Dimensions: 130 x 240 cm
Photo Ole Akhøj
Fringe on the Edge, 1999
Hand-woven rug exhibited at “New Scandinavia - Actuelles Design aus dem Norden” at Museum für Angewandte Kunst, Köln and Die Neue Sammlung, München 1999.
Hand dyed Norwegian spelsau wool
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
Dimensions: 120 x 220 cm
Photo Ole Akhøj
Abra Kadabra, 1998
Hand-woven rug exhibited at OCTO Scandinavian Furniture Fair, Copenhagen 1996 and The Georg Jensen Prize, Designmuseum Denmark, Copenhagen, 1998.
100% Sisal
Dimensions: 150 x 650 cm
Photo Ole Akhøj
Taqueté, 1994
Hand-woven textile installation of door mats and runners
Exhibited at 4th International Textile Competition ´94 Kyoto, Japan
Hand-dyed sisal and flax
Dimensions: 270 x 150 cm
Photo Ole Akhøj
Morocco Pillow, 1995
Hand-woven stool exhibited at Duplika, Marokkopuder, DAC, awarded by The Danish Art Foundation. Sold to the Marc Grainer Collection, USA
Paper yarn hand-dyed and natural colour
Photo Dorte Krogh
Line Games, 1989
Hand-woven rug exhibited at “KE, The Artists´ Autumn Exhibition”, Den Frie, Copenhagen 1989 and “Møbler og Tekstiler”, Overgaden, Institute of Contemporary Art, Copenhagen 1990
Hand-dyed Norwegian spelsau wool and silk
The Norwegian spel sheep can be traced back to the Iron Age. Wool from this sheep has a special long fiber with high wear resistance. The fibers can be up to 45 cm long.
Dimensions: 120 x 240 cm
Photo Ole Akhøj